Tag Archives: Andalucía

Real Wine Fair II: Spanish impressions

The Real Wine fair is of course an opportunity to see what’s going on in the wine category that I love the most, exactly the kind of wine that’s highlighted here. And it’s a welcome chance to say hello to some old friends, and meet new people, all of them with interesting projects. Spain is (together with the other country on the peninsula) the country where I travel the most, and here are some highlights. Because I taste these wines once in a while I didn’t visit all the tables, which I regret, but you know, too little time…

IMG_4172 Pedro Olivares Pedro Olivares

I had not really started when I spotted Pedro Olivares, and at the same time Alfredo Maestro tappet me on the shoulder. Pedro’s wines I just tasted very superficially, as I had recently visited him in Murcia. (Read about my visit here.) I took the opportunity to re-taste the Bobastrell 2015. We can call it a “terroir wine”, but from two terroirs: This is a wine with primarily monastrell (from Bullas, Murcia) in the aroma, and bobal (from Utiel-Requena, València) in the mouth. The enTreDicho 2016, jaén negro version, is a clay aged wine from that maybe unlikely place of Jaén, Andalucía. Pure fruit, flowers, juicy and lovely with some structure. I also took the chance to re-taste the Alto Viognier 2016, a 2 month skin-contact wine with grapes from 1.600 meters above sea level, and the SaSa 2016 from 10 meters, a moscatel and malvasía with the moscatel shining well through.

IMG_4186 Alfredo Maestro Alfredo Maestro

Alfredo Maestro Tejero is operating both in his native Peñafiel, in Sierra de Gredos and in other parts of Castilla too. I know him as a man full of tireless energy, and very un-selfish. I wrote him before a trip to Gredos a couple of years ago, and as leader of the Garnachas de Gredos group (now also comprising albillos), he suggested that he organized the whole trip for me. And in the end we drove around together visiting ten producers, including his own vineyard in the coldest part, Navarredondilla (Ávila province). He recuperates old vineyards, manages them organically (with some biodynamic techniques) with little or no additives.

Peñafiel is in the heart of Ribera del Duero, but Alfredo choses to stay outside the DO, to be able to use grapes from neighbouring areas such as Valtiendas to the south the Duratón river. So most of his wines are now under the label Vino de la Tierra Castilla y León. Here are some very brief comments.

The white Lovamor 2016 is a high altitude albillo real (770-1.000m) from more 100-120 year old vines in Olmos de Peñafiel with one week skin-contact, and due to the cold Castilian winter it didn’t undergo malolactic fermentation. The result is an orange-light brownish colour, flowery with orange peel aromas, full and fresh on the palate, slightly pétillant too. From the same place comes Amanda Rosado Lágrima 2016, a light red rosé from the garnacha tintorera grape with pure raspberry fruit, just delicious drinking. As the term “lágrima” suggests the pressing was very light.

Almate 2016 is a tempranillo (here called tinto fino) of various ages, some bush vines (‘en vaso’), some of the younger trained in ‘espaldera’, some found in Peñafiel, and some in Valtiendas, just outside the Ribera del Duero border. Here are lots of vines grown on river stones and clay-calcareous soils. The must was fermented in steel, 80% whole bunches with wild yeasts, then kept in neutral French oak for 2-4 months. This is one of my favourite wines from the region, with its fresh top-fruit of cherries and violets, and a wild, rougher layer underneath, together with a really refreshing acidity. Over the border to the Burgos province, in clay-calcareous soils at 960 meters, Castrillo de Duero is one of the few wines with some oak ageing worth mentioning. Having said that, it’s not more than 12 months in rather neutral French oak, and it bears it without trouble. The 2015 vintage is dark, it has a lovely fruit, it’s a bit balsamic, but not at all oaky.

Amongst all the amusing labels I chose this one:

Alfredo Maestro_El Rey del Glam 2

El Rey del Glam 2016 is sourced from grapes both in Peñafiel (sandy, clay-calcareous soil) and Navarredondilla (granite). It’s a garnacha, obviously high-altitude, and the vines varies between 30 and 100 years old. This is maybe Afredo’s most quaffable wine; beware, it’s so luscouis, delicious that it doesn’t take long before you are sliding over the floor like the glamour king on the label. It’s made from uncrushed bunches that undergo carbonic maceration, fermented with wild yeasts and with no SO2 added. It’s light in colour, with plenty of lovely raspberry fruit, with a dry finish. This takes us over into the Gredos mountain range. El Marciano 2016 is raised, not on Mars, but 1.150 meters above sea level, where the climate is extreme continental. The vines are 70 years old, and the soil is granitic. The late-ripening garnacha is not harvested untill mid-October. This vintage is particularly appealing, with a clear-cut fruit, and a wonderful acidity that’s not easy to obtain with garnacha. Alfredo also brought a few wines outside the program just to show there are interesting projects around the corner. Among these were Rosado Clásico de Valladolid 2015, a rosé from Cigales, the once prominent rosé area just outside Valladolid city. It’s a single vineyard, predominantly tempranillo, raised partly in chestnut. It was peach-coloured with pure raspberry and citric fruit, and a nice concentration.

IMG_4190 Dani and Fernando Dani Landi and Fernando García

Daniel Landi-Jiménez and Fernando García were there, representing both the Comando G project (Madrid province), but Daniel had also brought wines from his own bodega in Méntrida, Toledo. I have commented on these wines several times before (like here in Bilbao, and here at another fair), so I will present them only briefly. These are very fine wines with a refreshing acidity, an almost ethereal elegance, not much macerated and the aromas often show flowery notes. Two old favourites are La Bruja de Rozas 2015 and Las Rozas 1er Cru, now in the 2015 vintage too. The Bruja comes from several plots in and around Las Rozas de Puerto Real, and has a lively fruit, and an acidity that forms a fine structure together with a touch of tannin. The 1er Cru har only a slighly firmer tannin, a touch of smokiness and more concentration. Mataborricos Tinto 2014 was new to me, naturally made in four amphoras, but in the same line as the others. Las Umbrías 2014, a single vineyard wine from granite soils: A tight grip on this one (young tannins), raspberry and cherry fruit and some chalky minerality.

Over in the Toledo province Dani had equally light-coloured, high-expressive wines. He tells that he is always looking for vineyards that is high in the landscape, north-northeast facing, as he wants maximum freshness. Las Uvas de la Ira 2015 and Cantos del Diablo 2014, both from San Vicente, showed this. Las Iruelas 2014 too, from 1.000m elevation in El Tiemblo. El Reventón 2014 from Cebreros (that probably will be the name of the new DO) was the most reductive wine, but with air it reveals lavender and thyme aromas.

Note: I was really sad to hear the other day, that the Gredos area had been affected by severe hailstorms (7th July), and that some of the vineyards you have read about here were among the most severely hit. I really do hope that they will recover the best way possible.

IMG_4187 Rafa Bernabé father and son Rafa Bernabé, sr. & jr. of Bernabé Navarro

Rafa Bernabé (father) is long considered the Spanish expert on clay vessels for wine storage (in Spanish called ‘tinajas’), and I have reported on his wines several times, such as the Tinajas de la Mata, from the national park in Torrevieja. The wine, with 2014 on show here, will go out of production, he tells.

Most wines are made “O meters above sea level”, as Rafa sr. puts it. All wines are made with natural yeasts, none are clarified nor filtered, and all have less than 15 grams sulphur. They presented other wines aged in clay such as the Benimaquía Tinajas 2015, from moscatel and merseguera; light orange colour, aromatic with flowery compounds, it had more skin-contact than the “Tinajas” mentioned above, but still lighter in colour (as the other one has a small amount of black grapes). Musikanto 2015 is a direct-press wine (no skin-contact) garnacha from a higher altitude at 700 meters; light red, and very luscious in the mouth.

They had also a pét nat called Acequión 2015, a “sea moscatel”; deep yellow, with aromas of orange peel and yellow apples, slightly bubbly, and a “mountain monastrell 85% and garnacha”, Tipzzy 2015; light red, easy-to-drink. A dessert wine rounded it off, the Parque Natural 2013, that showed mature apples and dried fruit, some raisins, but it was not overtly sweet either.

Saó del Coster is a new find. I had heard about the winery from Gratallops, Priorat, and was lucky to be able to be pick up their basic “S” (2014) in my local shop, a wine with all the charms of a young, fruity red priorat. They want to keep the alcohol up at 15, to emphasize the local style, full and warm. Here the vintage has changed to 2015, and it’s still a lovely, pure garnacha-dominated wine (carinyena 35%), some spices and minerals, and with a good acidity for freshness.

They work biodynamically with indigenious varieties, with a low-intervention philosophy. A 100% garnatxa (as it’s spelled in Catalan) is Pim Pam Poom 2016. This has been made with 50% whole clusters, with the aim of bringing out minimum colour, maximum flowery, fresh fruit. Pure delight! They also brought two wines from old carinyena. The Planassos 2014 was good, warm and potent, but also with a velvety layer. For me La Pujada 2014 from 90 year old plants was a winner, very elegant with relatively lighter colour, fresh fruits, juicy in the mouth, and a subtle, almost cool fruit all the way.

IMG_4175 Sao del Coster Xavier Barrachina and Michelle Negrón of Saó del Coster

Rioja was represented by three producers from the right bank of Ebro; Honorio Rubio (Cordovín, once famous for claretes), Hacienda Grimón (further east, in the Jubera valley, Rioja Baja) and Viña Ilusión (Herce, near Arnedo in the Rioja Baja).

Honorio Rubio is noted for their whites, and it was especially interesting to taste the Edición Limitada-range with three very different wines. The skin-contact Viura Macerado 2014 was orange in colour, aromas of apricot and lemon, and some more herbal notes, quite light in the mouth, and with a refreshing acidity from the high altitude viura grapes. The Viura Sobre Lías Crianza 2014, aged 6 months in oak and concrete, it’s both traditional lemon and vanilla, and comes with a modern fruitiness too. Añadas is a solera wine made up from ten vintages, thus mixing the sherry and barrel-aged rioja traditions. It’s light golden, with lemon, pear and some buttery notes, both concentrated and fresh. Before I moved on I also tasted two more whites in a hurry, and the Alonso & Pedrajo, Suañe 2014, a raspberry scented red with some sweet notes.

The Oliván Family at Hacienda Grimón uses no chemical fertilisers, but sheep manure like in the old days. No herbicides are used, and the oak is all of second and third year. A couple of favourites were Finca la Oración 2015, a fruity, un-oaked wine full of blackberry aromas and freshness, and Desvelo Garnacha 2015, with second fermentation in oak (7 months); very flowery, red berries, and good weight in the mouth.

Martín Alonso of Viña Ilusión I have met several times, so I tasted his main wine very quickly. His Tinto 2015 is really nice and clean, fruity and elegant, with cherry and blackberry fruit, and good acidity.

Beginning to count down for lunch I did a brief tasting of a winery that I have known for some time. Who said they couldn’t make wine in Asturias? Nicolás Marcos can, and he does so in Cangas, that emerges as the area to consider in the region. At this occation I only tasted four wines. Pesico Blanco 2014 from the albarín variety, not destemmed, aged in chestnut vats of 2.000 liters, bottled without SO2 was glyceric, smooth but still with a young fruit. La Fanfarría Tinto 2015, 50% each of mencía and red albarín, was quite dark with red fruits, herbs and young tannin. Retortoiro Tinto 2014 showed some evolution in the colour, with aromas of cherries, and a structure for further ageing. Cadario 2012 had still more evolved colour, but the evolution has been nice, the tannins are still evident, and the primary fruits are still holding first place. I believe these wines can easily keep for ten years.

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Then running for lunch, I passed Adega Guímaro‘s table. Guímaro can be found in the cool Amandi sub-region of Ribeira Sacra, Galicia interior. I know Pedro Rodríguez and his wines well after a visit and several tastings. So here I almost only passed by the table, where his collegue Raúl Suárez was present. I did a quick tasting of the Guímaro 2016 white from 70% godello, a light, flowery, citric wine, the Finca Capeliños 2015 (50% whole cluster, long maturation in foudres) with its dark mencía fruit, mineral and with young tannins, the Finca Pambeiras 2015 (75 year old vines, 100% whole cluster), a very floral, red fruit dominated, very pure wine, before I brought his wonderful young mencía with its vibrant cherry fruit, the Tinto Jóven 2016, out into the lunch area.

 

 

 

 

Table wine from sherry grapes

A trip to Jerez de la Frontera is likely to include a visit to Bar Juanito. It was Juan Rodríguez who opened the bar in 1943, and this Jerez gastronomy and flamenco classic is now located just off the main square, Plaza del Arenal, and the city hall.
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It was here, with a few half “raciones” such as squid in olive oil and red tuna from nearby tuna heaven Barbate, that we had the delicious and highly original white from Bodegas Forlong. (Read more about the winery and its proprietor Alejandro here.) Made in the Tierras de Cádiz, between Jerez and Rota to be more precise, of the sherry grapes palomino and pedro ximénez. With a composition of 90/10% it could well have been a cream sherry, but it’s not. This is a dry white table wine from organically grown grapes.

The grapes are picked early, and by hand, and a selection is done both in the vineyard and at the selectiontable. After the pressing the must is cooled down to 6-7° for 36 hours, before the fermentation starts once the temperature is brought up to 15°. The two varieties are treated separately, then blended to make the finished wine.

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Forlong Blanco 2016 (Bodegas Forlong)

Straw-coloured, green-ish tinge. Aromatic, hints of fresh fruits, yellow apples, some almond. Full in the mouth, lightly oily texture, a salty minerality, moderate acidity and a slight bitterness as the almond sensations return. Very original and very good.

Price: Low

Food: A variety of fish and shellfish, light meats

 

 

Terruño Pizarroso at Bodegas Bentomiz

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Bodegas Bentomiz is located in Sayalonga in the Sierras de Málaga. There winter rains are plentyful and the summers long and dry, but this close to the Mediterranean sea the heat is never overwhelming. They dispose of around 80-100 years old vines in what is called in Spanish “terruño pizarroso”, slate soils.

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the Mediterranean as seen from the inside of the stylish Bauhaus bodega

It was the Dutch couple Clara Verheij, a translator, and André Both, a civil engineer, that moved down here more than twenty years ago. They don’t only make some fresh, fragrant wines from local grapes romé, moscatel and others. They set ut a restaurant as well, and we had lunch there not long ago. André is chef, but has had great help from Juan Quintanilla of restaurant Sollun in Nerja, of regional fame, whom André calls his mentor.

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Clara and André

For the lunches they take great pride in pairing 5 or more dishes with wines, not only their own. When we were there Valdespino‘s bold fino Inocente from Jerez was served as an apéritif, and Guitiérrez Colosía’s Puerto de Santa María Oloroso Sangre y Trabajadero was paired with a salad of diced beef in soy sauce. From their own “Ariyanas” range the Romé Rosé 2014 (a very light vintage) came along with a ceviche of corvina, while the Seco Sobre Lías Finas 2014 (a floral and mineral moscatel) came with cod on a spinach emulsion. The Tinto de Ensemblaje 2012 (the ‘ensemblaje’ being petit verdot, tempranillo, cabernet franc and romé, the fullest and most red and wild berry-fruity wine of the day) came with oxtail in reduced sauce with a cream of carrot, ginger and more. One of their dessert wines, appropriately called Naturalmente Dulce 2010 (a dark golden/ light amber coloured floral honey and almond-smelling wine) accompanied André’s own creation “Axarquía”: -We are here; the brown (bread-crumbs) is the earth, the white (vanilla ice) is the snow, says André.

2016-06-29 16.00.33 the Axarquía dessert

Here is another offering, this week’s wine, the Terruño Pizarroso, that got its name from the soil of the place, and that is also served by their lunches – though not that particular day.

The grapes for this moscatel de alejandría wine are grown between 450-900 meters. At Bentomiz no pesticides are used, and all work in the field is done by hand. After harvest the grapes are sundried, then matured for some months in French oak.

LR Ariyanas Terruo Pizarroso 2008

Ariyanas Terruño Pizarroso 2008 (Bodegas Bentomiz)

Golden colour. Aroma of white flowers and herbs, apricot and dried exotic fruits, with toasted hints. Quite sweet in the mouth, reminiscent of honey, but with a certain lightness too, some citrus (grapefruit), and some of the exotic elements continue ’till the end.

Price: Medium

Food: Tropical fruit desserts, fois gras, medium strong blue cheeses

Peaking in Bullas: A visit to Pedro Olivares

It was early morning in the west of Murcia, close to the border of Castilla-la Mancha and Andalucía. I didn’t say the wild west of Murcia, but I can easily understand that once upon a time a lot of famous movies were shot in these rugged hills. At times I waited for Clint Eastwood to appear under the fading sun to the music of Ennio Morricone, just like he actually did many years ago.

This particular morning I entered the wine village Inazares (inhabited by some 30 souls) and went straigh into the saloon, or more correctly: El Nogal, the bar where we agreed to meet. Inazares is out of reach for any telephone, so after some waiting (and I could have waited longer, but I realized that I had come one day too early due to a counting error because 29th February didn’t exist), it was in fact quite difficult to reach Pedro.

Inazares, one day later: Pedro Olivares points at me, not with his gun though, and explains about his project. This winery, once called Heredad Maybri, is now renamed Vinos Bio Pedro Olivares. And another idea came up to make the “Wild Series” from here, from Jaén (Andalucía) and from Utiel-Requena (València), an appropriately named series of  wines, no doubt.

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His project was born out of a continous effort in search for new challenges. He invented the term “multi-dynamic” as a means to take the biodynamic culture further, or rather use it in an un-dogmatic fashion. -I like to be free, he says. This doesn’t mean that he will not be respectful against the soil, where the wine is born. But he doesn’t care too much for denominations and, as we shall see, he can also blend grapes from two or more places.

-When I came here in 1998 it was only mountain, Pedro says. -We analysed the area and compared the results to data about other wine regions of the world. This lead us to plant the varieties we have now, 27 in total, from the clones we considered best for this place.

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Down by the water is merlot from Tasmania. Behind: Pinot noir from Bourgogne, Reims and Oregon

Generally he looks for concentration and acidity in the wines. To achieve the first goal the yield can be surrealisticly low; for some wines it takes 3-4 bushes to make one bottle.

Another interesting feature is the way the vines are “trained”. -I irrigate the bushes so that the roots from one meets the roots from the next, so as to make a stressful environment so that they fight each other and get stronger.

IMG_4032 Pedro Olivares in Europe’s highest vineyard (1.700m)

The highest vineyard in Europe (probably) is at 1.700 meters above sea level. Usually a newly planted vine bears fruit after 3 years, but here the growth so slow that it takes 5. This means that next year we can harvest the first grapes; gewürztraminer, riesling, petit manseng, for white wine, sparkling and ice wine.

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Limestone (the white ones on the surface, but there is also limestone underneath)

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The winery to the left (towards the top of the hill, the Inazares village to the right)

IMG_4049 Sherry-type wines from the “sacristy” of the bodega

We tasted a lot of samples during the walk up and down, beginning with a flor-aged “sherry”, from this rugged high landscape. It was quite cold in the winery and difficult both to taste and write, but here are a few short notes:

Monastrell 2015 (from the Wild Series): A monastrell wine from Bullas, from vines of different heights, where acidity is obtained from the highest parts, and fruit and floral aromas from the ones further down. It’s been 4 months in oak (3-4 years old, French-Hungarian-American – low toast, which is considered very important) and concrete tank. Here is a little SO2 (often nothing). Pedro says, I always write “Contains sulphites” even if it often can be less than 10 g/L (one is obliged to write it if it’s more).

The result is a dark, very floral and elegant wine.

Solana del Calor 2015: 85% monastrell from Bullas and 15% viognier (white, in other words) from 1.100 meters near the Inazares village. -This is “my Côte Rôtie”, says Pedro. Dark, spicy, flowery, concentrated.

Merlot 2015 (Wild Series): This one is from Venta del Moro near Requena, where the soils are sandy. We could call this a Mediterranean merlot. The alcohol content is 16%, though when asked I guessed 13. It’s not late harvest either; by end-September everything was in.

Dark, flowery, herbs, more evident tannins (but not green), mature, but good acidity and a chalky aftertaste.

vinos bio pedro olivares_vineyard Bobal 104 years in Venta del Moro Old bobal (credit: P. Olivares)

Bobal 2014 (Wild Series): From Venta del Moro too, up to 105 years old pie franco (ungrafted) vines, only concrete tank.

Dark colour, but more light fruites in aroma; cherry (morello), raspberry, quite evident tannins.

Bobal 2016, tank-sample: Very fruity, cherries, raspberry.

BM Bobastrell 2016 (from the series Mediterranean Cuvée, that orignates from an idea to create a Mediterranean wine from an Utiel/Bullas blend). The bobal is obviously Venta del Moro (Utiel-Requena) and monastrell from Bullas in 50% each.

Dark, dark fruits, cherry, mynth, spice, balsamic, long aftertaste.

enTreDicho 2016 (from a series by that name, this is an unfinished sample of a wine similar to the next, now in malolactic fermentation.

Some animal notes, flowery, red fruits, a little carbonic.

vinos bio pedro olivares_vineyard in Jaen_planted learned by Dal Forno New vineyard in Jaén (credit: P. Olivares)

enTreDicho 2015 (enTreDicho series) from Benatae in the Sierra de Segura (Jaén province): This is an interesting blend of monastrell, syrah, nebbiolo (for acidity), petit verdot, jaén negro and molinera. It’s from clay soil, no sulphur added, and it’s been 6 months on the lees.

Dark, flowery, fruity in the mought, slightly carbonic.

Pedro tells that he can tell that it comes from clay soil, as the tannins from clay are felt in the cheeks, while tannins from sand shows more on the tongue. It’s easy to agree, but it needs more investigation to tell if this can be said to be a general lesson.

Then an interesting coupling; two wines to end the tasting.

A viognier/riesling blend, hand-harvested, from the high vineyard at 1.600m:

Yellow colour (in barrel, still on the lees), some butter, flower (jasmine type), long, citric, orange, mandarine.

Sasa, a moscatel (and a tiny amount of malvasía) from “a little” lower: 10 meters above sea level, in València, near the city:

Light in colour, flowery, mandarine, apricot, very long curve.

IMG_4046 4 year old vines, will bear fruit next year

All wines are organic and vegan certified. -We also want animals so that we can make our own compost, he admits. However the vegan societies don’t care about animals used this way, at least not to this day.

IMG_4040 Once upon a time in the south

José Miguel Márquez, a real artisan in the big players’ land

I drive from Córdoba to Montilla listening to the second half of the European Championship football match between Spain and Italy, where Spain loses just before I reach the narrow path to the bodega. -Oh, there is a match today, asks José Miguel Márquez, as if he couldn’t care less.

After a quick look at the very simple facilities, and a glimpse of the vineyards at the very southern end of town, we soon end in the discussion about natural wines, as opposed to “so-called natural wines”.

He is the actual leader of the organization Productores de Vinos Naturales (PVN), with prominent members like Barranco Oscuro, Samuel Cano (Vinos Patio), Viña Enebro and Bodegas Cauzón among their ranks. And José Miguel takes pride in the fact that this Spanish organization does not allow addition of sulphur whatsoever, while the sister organizations in the other southern European countries do.

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He admits that there is some amount of indignation among the producers. -It’s the task of the importers and the journalists, he says, to communicate what he and his peers are convinced is the right path to follow.

-It’s very difficult to make wines without corrections, says José Miguel. But that is what we must strive to do. We investigate, we are running a great risk, but we are convinced that we have to.

For him it’s about showing the dedication, to have naturalness in your mind or not. -Some has a non-added-SO2-line in their portfolio, but they don’t show the real enthusiasm about it. You cannot be a vegetarian, except for Sundays…

Obviously Montilla is one of the big fortified wines of Spain, with huge bodegas and well-trimmed organizations, public relations departments and so on. On the question if Bodega Marenas get something out of this nearness to the big players in the area and their “industry”:

-Well, first: I do not belong to the D.O. Monilla-Moriles. Of course I am here, and I know many of the bodegueros, but there is not very much contact, really. On the other hand, noone bothers me. They do their thing, I do what I am convinced needs to be done, and I have my network, which is another. This said, Marenas is also paying its tribute to some of the old traditions of the area, such as a PX Bajo Velo, a wine aged under flor (a layer of naturally grown yeast), and Asoleo, a moscatel made from grapes dried in the sun before pressing.

The pago Cerro Encinas comprises 6 hectars of predominantly sandy and clayey soils with a high content of carbonates and limestone predominantly, but some albariza too (the same as the famous chalky soil of Sherry country). We are 350 meters above sea level, and though nearby Córdoba has Europe’s highest maximum temperatures there is a gentle breeze blowing through the vineyards, so the climate can be characterized as a blend of continental and mediterranean. The bodega opened in 1999, and as bodeguero José Miguel is first generation. The previous one I met when I entered the place, that is José Miguel’s father on a tractor. There is no “bodega” in the sense of an organization, it’s only me.

This is the “bottling line”:

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José Miguel places another bottle on the europallet. When it’s full he must take the bottles down again, I suppose, because they obviously need to have a label attached to them. And who is going to do that…

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While we talk he opens some bottles. One is a fresh 2015 from the white montepilas grape, that is a very rare variety, but older in the region than the famous pedro ximénez. Then there is a monastrell, also from the recent vintage: dark, spicy, fruity and luscious in the mouth.

Then there is a wine called Casilla las Flores 2015, from pinot noir. This one is light, like a rosé. It’s just lightly pressed, and not macerated. It’s flowery in the aroma, and the fruit is fresh and close to nature.

-I look for simplicity, says José Miguel. I ask if he sometimes changes the way he makes the wines. -Some times I change a little. It could be of obvious reasons, because of the climate, you have to respond to the vintage, f.ex. when it’s time to harvest. Looking back, I used to macerate more, I thought more on complexity. But nobody understand this anymore. Now I search for simplicity, but without losing the quality.

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Back to Córdoba. Restaurant Amaltea is a cozy restaurant near the Roman bridge, where they serve small dishes, eco-friendly and with vegetarian/vegan options, in a tapas-, sharing style if you want. I was alone, so I ordered a couple of small plates of excellent vegetables and seafood. They have two of José Miguel’s wines by the glass, and I had both:

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Montepilas 2015

Light brown-orange in colour, slightly cloudy. Good freshness in aroma, mature apple. Grapey and luscious in the mouth.

Cerro Encinas 2015

This is the monastrell (with a new label). Dark with violet rim. The aroma shows both a controlled oxidized style (in a good manner), but immediate fruit as well, with wild berries and spices. On the palate it has just enough tannin, and it’s very much alive with just enough acidity too.

Red wine from Sherryland

This is a wine I bought from a wine merchant in Sanlúcar (see this article), on his recommendation. I served it in a blind tasting this week, and of course nobody guessed the region.

It’s more cool in appearance than expected, and the chalky albariza soil between Jerez and Rota must have some responsibility for this. The grape is tintilla de Rota, which is a synonym for graciano (and maybe originated here in the south), and which they regard as a very promising red variety down here.

2015-06-30 14.18.43 Vineyards in albariza soil between Jerez and Rota

In this area tintilla can be very delicate and mineral and is able to ripen perfectly without high levels of alcohol or overripe fruit. The less than 15 years old grapes for this wine have been organically farmed only 60 meters over sea level, and the wine has seen a mix of cement and oak vessels of various sizes.

Vara y Pulgar 2012 (Cía. de Vinos del Atlántico)

Purple colour. Aroma of red and dark berries, stone minerals, dark chocolate and some balsamic notes. Full and quite dense on the palate, a sweet sensation, but with a long, dry and mineral aftertaste. Like I said in the beginning, ripe but also with a touch of coolness.
Price: Medium
Food: Red meat, tapas, dishes with sausage